

Oscar Wilde and Gabriele D’Annunzio were two famous poets and writers who lived in the second half of the nineteenth century, respectively in England and Italy.
Both of them represented the leading exponents of the artistic and literary movement of Aestheticism, a product of late Romanticism with a tendency to Decadentism.
The fundamental principle of Aestheticism was “Art for Art’s sake: they believed that art shouldn’t have any didactic or moral aim.
Aesthetic artists hated the hypocrisy and the increasing uniformity of the industrial society because they couldn’t stand the vulgarity of mass production. For this reason they kept away from the masses and lived a life of refined sensations professing the cult of beauty and transforming their life into a work of art, surpassing moral laws in the search for pleasures and vices, often through the use of drugs and alcohol. They were also dandy, which means that they led and an intense and spectacular social life and adopted extravagant poses.
Wilde and D’Annunzio were similar because they tried to find the pleasures of beauty and they thought that the beauty was the most important thing in a life. In addition, both of them were eccentric, non-conformist and loved to give scandal.
The main characters of their most famous novel, that are Andrea Sperelli in “Il Piacere” by D’annunzio and Dorian Gray in “The portrait of Dorian Gray” by Oscar Wide are similar too: both of them are dandy and devote their lives to the pursuit of pleasures of any kind, intellectual as well as material.
However, they present differences due to literary influences and different belonging societies: Sperelli was Italian, while Dorian Gray was English.
Sperelli was more devoted to the pleasure derived from love affairs, without mystical complications, with a provincial Decadentism, despite European experience and fame. This reflected the Italian society at that time, that was ruled by the Fascism. Italy was a provincial nation, but it wanted to emerge as a political, economic and cultural power.
Dorian Gray spent 20 years in a compromising and sinister existence, experiencing exaggerated and even “diabolic” pleasures as England was influenced by the Utilitarian and moralistic Victorian empire.



















